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I think Jeff and Adam make some good points here. Fist of all, music that involves instrumentation that has traditionally been associated with a "Southern" sound, such as banjo and fiddle, can often be heard all across the country but usually not in the larger urban centers. There seems to always be a rural, small-knit communal quality to what qualifies music as Southern or "country." In addition, if one does a bit of research, one would find that much of the earliest white banjoists in the nineteenth century were not from the South, but based in and around the Northeast. A great book that deals with this is Karen Linn's "That Half-Barbaric Twang: The Banjo in American Popular Culture" (1991). David Leventhal University of Tennessee, Knoxville
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